MAY 10 / LAST DAY OF SCREEN SHOP ACCESS
Please remove all artwork and materials from drawers and lockers.
No materials may be stored over the summer, including large works in classroom storage areas.
Any artwork or materials that remain will be discarded.
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SCREENPRINT SPRING BREAK MONITOR SCHEDULE Saturday, March 14: TERESA (12 – 4)
Sunday, March 15: NO MONITOR AVAILABLE
Monday, March 16: NO MONITOR AVAILABLE
Tuesday, March 17: NO MONITOR AVAILABLE
Wednesday, March 18: JESSICA (12 - 4)
Thursday, March 19: NO MONITOR AVAILABLE
Friday, March 20: TERESA (12 – 4)
Saturday, March 21: TERESA (12 – 4)
Sunday, March 22: NO MONITOR AVAILABLE
BUY YOUR SMFA SCREENPRINTING MANUAL FOR CLASS
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ALL STUDENTS MUST PURCHASE A COPY AT THE START OF THE SEMESTER
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GOTO: THE PRINT HOUSE ( 1 BLOCK UP FROM MASS ART ) - COST $ 9
The Print House
660 Huntington Avenue
Boston, MA 02115
Phone: 617-566-7594
*** HAPPY HOLIDAYS ***

Screenprinted card made by Madeline Donahue + Josj Copp
Visiting Artists in Screenprinting : Wed, Nov 19
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Robert Blackburn Printshop - Phil SandersWed, Nov 19 @ 12:30pm
Screenprinting Studio
The Robert Blackburn Printmaking Workshop (RBPMW) is a co-operative printmaking workspace located in New York CIty that provides profession
al printmaking facilities to artists and printmakers of any skill level. The RBPMW seeks to assist and facilitate the production of fine art prints to the highest professional level. It is our belief, that by providing unfettered access to professional equipment, printers, and print techniques, the overall quality of fine art prints being produced will be elevated. This elevation positively affects the health of the print market as a whole, helping to foster an environment of aesthetic, creative, and technical innovation.
http://efa1.org/rbpmw/Visiting Artists in Screenprinting : Tue, Nov 4 + Wed, Nov 5
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Asuka Ohsawa
Tue, Nov 4 @ 9am
Asuka Ohsawa builds upon on the legacy of the Japanese giga, which literally means “humorous picture,” a style of painting that used seemingly comical images, such as animals engaged in human activities, to inform an often politically motivated satire. Much like the giga, Ohsawa’s unadorned graphic technique belies the tension of her drawings, in which social issues are articulated through the strange fables of humanlike animals that exhibit cross-cultural and inter-species distrust.
Adriane Herman
Wed, Nov 5 @ 9am
Adriane Herman investigates consumption through appropriated imagery and media ranging from archival to edible. Sites of recent and upcoming solo exhibitions include Western Exhibitions (Chicago), the Center for Maine Contemporary Art, the Ulrich Museum (Wichita), and Whitney Artworks (Portland). Recent group exhibitions include those at Adam Baumgold Gallery (New York); The Dalarnas Museum (Falun, Sweden); Portland Museum of Art, (ME); The Herbert F. Johnson Museum of Art (Ithaca); and chosen barren land (Tainen, Taiwan). Herman’s Limited Edition Cookies were included in Digital: Printmaking Now at the Brooklyn Museum of Art and her higher fiber work has been collected by The Whitney Museum of American Art, The Herbert F. Johnson Museum of Art, The Art Institute of Chicago, The Progressive Corporation, and The Walker Art Center. Herman holds a B.A. from Smith College and an M.F.A. from the University of Wisconsin-Madison. Her independent efforts to normalize consumption of fine art dovetail with collaborative efforts such as Slop Art and projects undertaken with students at Maine College of Art, such as “Long Overdue: Book Renewal,”which yielded 175 artworks temporarily collectible through Portland Public Library. Herman has explored content in context with BFA and MFA students at Kansas City Art Institute and Maine College of Art, where she is currently Associate Professor of Printmaking / New Media and Foundation Department Chair. http://www.slopart.com, http://www.adrianeherman.com
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Beyond a Memorable Fancy
October 30- December 13, 2007
Opening reception Saturday, November 1, 6-9 p.m.
Curated by: Michelle Levy
Artists: Glen Baldridge, Robert Buck, Benjamin Cohen, Nayda Collazo-Llorens, Ian Cooper, Jenelle Covino, Alex Dodge, Rachel Foullon, David Gatten, Dylan Gauthier, Graffiti Research Lab, Lynne Harlow, Adam Helms, Wennie Huang, Matthew Day Jackson, Heidi Neilson, Evan Roth, Jennifer Schmidt, Peter Simensky, Mary Temple, and Stephan von Muehlen.
Beyond A Memorable Fancy is an exhibition about printmaking, perception, and artistic intervention. The artists pioneer the use of print to filter and transcend the way we see the world around us. Every work dictates the reinvigoration of an idea, a revelatory moment, an expansion of the mind.
Elizabeth Foundation for the Arts
323 West 39th Street, 2nd Floor
New York, NY 10018
between 8th and 9th Avenues
http://efa1.org/gallery/beyond-a-memorable-fancy/
Gallery Hours: Wed - Sat, 12-6 PM
T. 212-563-5855 x 151
projectspace@efa1.org
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VISITING ARTIST - ANDREW MOWBRAY
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THIS WEDNESDAY, OCT 22 @ 9am in the screenshop
www.andrewmowbray.com-------------------------------------------------------------------------------------->
Dieu Donne' - Sue Gozen
Presentation: Wednesday, Oct 8 @ 9am
Location: Screenprinting Studio
Founded in 1976, Dieu Donné Papermill is a non-profit artist workspace dedicated to the creation, promotion, and preservation of contemporary art in the hand papermaking process. In support of this mission, Dieu Donné collaborates with artists and partners with the professional visual arts community. Dieu Donné is housed in a 7,000 square foot ground-floor facility at 315 West 36th Street, NY, NY, where it maintains a studio, gallery, and archive. http://www.dieudonne.org < Organized by Michelle Samour, Print + Paper Area >----------------------------------------------------------------------------------------------------------------------------------------------->

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Summer Screenprinting Dance