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Fresh from the Factory

MAY 10 / LAST DAY OF SCREEN SHOP ACCESS

Please remove all artwork and materials from drawers and lockers.

No materials may be stored over the summer, including large works in classroom storage areas.

Any artwork or materials that remain will be discarded.

If you have any additional questions, please contact the Printmaking Technician, nicole.kita@gmail.com

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SCREENPRINT SPRING BREAK MONITOR SCHEDULE

Saturday, March 14: TERESA (12 – 4)
Sunday, March 15: NO MONITOR AVAILABLE
Monday, March 16: NO MONITOR AVAILABLE
Tuesday, March 17: NO MONITOR AVAILABLE
Wednesday, March 18: JESSICA (12 - 4)
Thursday, March 19: NO MONITOR AVAILABLE
Friday, March 20: TERESA (12 – 4)
Saturday, March 21: TERESA (12 – 4)
Sunday, March 22: NO MONITOR AVAILABLE

BUY YOUR SMFA SCREENPRINTING MANUAL FOR CLASS
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ALL STUDENTS MUST PURCHASE A COPY AT THE START OF THE SEMESTER
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GOTO: THE PRINT HOUSE ( 1 BLOCK UP FROM MASS ART ) - COST $ 9

The Print House
660 Huntington Avenue
Boston, MA 02115
Phone: 617-566-7594

*** HAPPY HOLIDAYS ***

Screenprinted card made by Madeline Donahue + Josj Copp

Visiting Artists in Screenprinting : Wed, Nov 19
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Robert Blackburn Printshop - Phil Sanders
Wed, Nov 19 @ 12:30pm
Screenprinting Studio

The Robert Blackburn Printmaking Workshop (RBPMW) is a co-operative printmaking workspace located in New York CIty that provides professional printmaking facilities to artists and printmakers of any skill level. The RBPMW seeks to assist and facilitate the production of fine art prints to the highest professional level. It is our belief, that by providing unfettered access to professional equipment, printers, and print techniques, the overall quality of fine art prints being produced will be elevated. This elevation positively affects the health of the print market as a whole, helping to foster an environment of aesthetic, creative, and technical innovation. http://efa1.org/rbpmw/

Visiting Artists in Screenprinting : Tue, Nov 4 + Wed, Nov 5
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Fresh from the Factory - team screen

Asuka Ohsawa
Tue, Nov 4 @ 9am

Asuka Ohsawa builds upon on the legacy of the Japanese giga, which literally means “humorous picture,” a style of painting that used seemingly comical images, such as animals engaged in human activities, to inform an often politically motivated satire. Much like the giga, Ohsawa’s unadorned graphic technique belies the tension of her drawings, in which social issues are articulated through the strange fables of humanlike animals that exhibit cross-cultural and inter-species distrust.

Adriane Herman

Wed, Nov 5 @ 9am

Adriane Herman investigates consumption through appropriated imagery and media ranging from archival to edible. Sites of recent and upcoming solo exhibitions include Western Exhibitions (Chicago), the Center for Maine Contemporary Art, the Ulrich Museum (Wichita), and Whitney Artworks (Portland). Recent group exhibitions include those at Adam Baumgold Gallery (New York); The Dalarnas Museum (Falun, Sweden); Portland Museum of Art, (ME); The Herbert F. Johnson Museum of Art (Ithaca); and chosen barren land (Tainen, Taiwan). Herman’s Limited Edition Cookies were included in Digital: Printmaking Now at the Brooklyn Museum of Art and her higher fiber work has been collected by The Whitney Museum of American Art, The Herbert F. Johnson Museum of Art, The Art Institute of Chicago, The Progressive Corporation, and The Walker Art Center. Herman holds a B.A. from Smith College and an M.F.A. from the University of Wisconsin-Madison. Her independent efforts to normalize consumption of fine art dovetail with collaborative efforts such as Slop Art and projects undertaken with students at Maine College of Art, such as “Long Overdue: Book Renewal,”which yielded 175 artworks temporarily collectible through Portland Public Library. Herman has explored content in context with BFA and MFA students at Kansas City Art Institute and Maine College of Art, where she is currently Associate Professor of Printmaking / New Media and Foundation Department Chair. http://www.slopart.com, http://www.adrianeherman.com

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Beyond a Memorable Fancy

October 30- December 13, 2007
Opening reception Saturday, November 1, 6-9 p.m.

Curated by: Michelle Levy

Artists: Glen Baldridge, Robert Buck, Benjamin Cohen, Nayda Collazo-Llorens, Ian Cooper, Jenelle Covino, Alex Dodge, Rachel Foullon, David Gatten, Dylan Gauthier, Graffiti Research Lab, Lynne Harlow, Adam Helms, Wennie Huang, Matthew Day Jackson, Heidi Neilson, Evan Roth, Jennifer Schmidt, Peter Simensky, Mary Temple, and Stephan von Muehlen.

Beyond A Memorable Fancy is an exhibition about printmaking, perception, and artistic intervention. The artists pioneer the use of print to filter and transcend the way we see the world around us. Every work dictates the reinvigoration of an idea, a revelatory moment, an expansion of the mind.

Elizabeth Foundation for the Arts
323 West 39th Street, 2nd Floor
New York, NY 10018
between 8th and 9th Avenues

http://efa1.org/gallery/beyond-a-memorable-fancy/

Gallery Hours: Wed - Sat, 12-6 PM

T. 212-563-5855 x 151
projectspace@efa1.org

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VISITING ARTIST - ANDREW MOWBRAY
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THIS WEDNESDAY, OCT 22 @ 9am in the screenshop

www.andrewmowbray.com

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Dieu Donne' - Sue Gozen

Presentation: Wednesday, Oct 8 @ 9am
Location: Screenprinting Studio

Founded in 1976, Dieu Donné Papermill is a non-profit artist workspace dedicated to the creation, promotion, and preservation of contemporary art in the hand papermaking process. In support of this mission, Dieu Donné collaborates with artists and partners with the professional visual arts community. Dieu Donné is housed in a 7,000 square foot ground-floor facility at 315 West 36th Street, NY, NY, where it maintains a studio, gallery, and archive. http://www.dieudonne.org < Organized by Michelle Samour, Print + Paper Area >

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Travel Talk Poster 2008

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Summer Screenprinting Dance

:::::::: E V E N T H O R I Z O N ::::::::
:::::::: P U B L I C A R T P R O J E C T ::::::::
----------------- c o m i n g s o o n --------------------
::::::::::: www.event---horizon.com :::::::::::

Saturday, April 12 + Wednesday, April 16
Davis and Union Squares, Somerville, MA

“Event Horizon” is a public art project that seeks to create a site for inquiry into the nature of current events and history through the use of print media, performance, and individual interpretation.

Artists within “Event Horizon” interpret and re-present topics, headlines, graphics, and text found in widely circulated newspapers, broadsides, and fliers to produce creative, critical, and poetic interplays in the form of printed posters and broadsides. The reader’s ability to translate and creatively respond to “popular” issues will underscore a story or subject’s meaning, thereby exposing “the style” of interpretation as a determinant element of how events or topics are individually understood and communicated to a larger public.

Traditionally hung in public places to announce news and events to the public, broadsides locate information within a locality of interest, while creating a visual tableau, indexing issues within a splayed format. Physically unbound, the broadside references the loose sheets of a newspaper, with large type and simple script, easily read by the passerby, to be papered and hung on poles, store windows, buildings, and folding displays.

Using print media as a means to create a backdrop for the projection of ideas and opinions, “Event Horizon” re-contextualizes current events within a staged setting of signage and performative happenings. By situating themselves within a public place, calling and handing out their print media, participating artists will be inadvertently quoting other historical and contemporary performance traditions, including: town-crier, soap-boxer, street performer, mystic, publicist, recruiter and activist. The public is invited to engage notions of the “newsworthy” through absurdist, practical, educational, comic, mundane, and dramatic presentations of topical material.

-Curated and Produced by Jennifer Schmidt

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Fresh from the Factory - team screen

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Fresh from the Factory - team screen

I no longer photocopy hand-outs for demos* Please buy the Screenprinting Technical Reader. It's your bible for all things screen! Includes info about how to build your own exposure unit and printing diy, in addition to all the fabulous hand and digi approaches to making stencils.

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Graduate Thesis Show Exhibition Opening: Thursday, Nov 29, 5-8pm
@ Tufts University, Aidekman Arts Center

Fresh from the Factory - team screen

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TEAM SCREEN: Multiple Acts - Part 2
Exhibition Reception + TSHIRT SALE: Wednesday, November 28, 4-7pm, MHB

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2nd Annual Team Screen * T-SHIRT SALE *
Submission Drop Off: Tue, Nov 27, Screen Shop
T-Shirt Sale + Reception for Int/Adv Screen Show: Wed, Nov 28, 4-7pm, MHB

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TONY TROUBLE FUNDRAISER-- PLEASE DONATE ARTWORK

Drop Off : Wed, Oct 31, 12-2pm

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Helen Molesworth, Contemporary Curator Harvard Art Museums
Public Lecture: October 2 @ 6pm, Anderson Auditorium, SMFA
"Feminism and Installation Art: Ree Morton and Robert Gober"

Fresh from the Factory - team screen

Helen Molesworth is the Maisie K. and James R. Houghton Curator of Contemporary Art at the Harvard University Art Museums. From 2002 to 2007 she was the Chief Curator of Exhibitions at the Wexner Center for the Arts where she organized Twice Untitled and Other Pictures (looking back) an exhibition of new and old works by Louise Lawler and Part Object Part Sculpture which charted a genealogy of transatlantic sculpture produced in the wake of Marcel Duchamp’s erotic objects and hand made readymades of the 1960s. From 2000-2002 she was the Curator of Contemporary Art at The Baltimore Museum of Art, where she organized Work Ethic, which traced the problem of artistic labor in post-1960s art, and BodySpace, which explored the legacy of Minimalism for contemporary artists. She is the author of numerous articles and her writing has appeared in publications such as Artforum, Art Journal, Documents, and October. Her research areas are concentrated largely within and around the problems of feminism, the reception of Marcel Duchamp, and the socio-historical frameworks of contemporary art. She is currently working on two exhibitions Solitaire, which features the paintings of Lee Lozano, Sylvia Plimack Mangold, and Joan Semmel and a survey exhibition of New York based photographer Moyra Davey.

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WELCOME BACK: NEW MOONS ON SMFA HORIZON

Buy your screen technical manual at the Print House on Huntington Ave for $9 - Good for a Lifetime of Screening + Happy Printing. + Tis Required.

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SCREEN STUDENTS CURATE SCREEN STUDENTS

A show of repeat print wall paper works by your fellow screeners at the MFA Courtyard Gallery.
Check it out. Curated by Alexis Adams + Janine Biunno.

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SCHOOL IS OUT FOR SUMMER

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PRINT: Special Projects Exhibition, Project Space @ SMFA > March 1 - March 13

Students within Jennifer Schmidt's Print: Special Projects course present projects that create a site for intervention, participation, critique and curiousity using printed media and multiples. Be ready to sign up, contribute, and notarize your ideals during the event.

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Print After Party @ TT the Bears, Feb 18

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Fair Use Talk, Wed, Feb 7 @ 2pm

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WED 11/29 *TEAM SCREEN Exhibition + SALE!!!*

-Bring your screenprinted t-shirts, stickers, patches, etc. MULTIPLES Galore!
-Where? Mission Hill Building Gallery
-When? Wed 11/29 @ 1pm. We will be setting up tables for the sale.
-Preparation: Make sure each item is labeled with your name + price amount.

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"Eye on Europe" Exhibition @ MOMA, NY * Excellent Show *

-Prints, Books, Multiples Galore, 1960's to the Present
http://moma.org/exhibitions/2006/eyeoneurope/flash.html

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TUE 11/ 21 *FIELD TRIP TO PROVIDENCE!! to see Wunderground @ RISD
-Meet in the screen shop at 11am. Bring $20 (12$ for commuter rail + food)
-We will take the 12:13pm train to Providence. Returning @ 6:23pm- South Station.

jschmidt	Latest page update: made by jschmidt , Apr 30 2009, 4:38 PM EDT (about this update About This Update Edited by jschmidt view changes - complete history)
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